Located at the National Museum, it seems to resonate with another piece I saw at Tanglin Camp during the Singapore Biennale last year.
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His work is about border lines and transition zones. Hence, you get "in-between" when you peer at the seal and the water as you walk up the flight of steps leading you into the exhibit.
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Because Singapore's a concrete jungle, Kuribayashi hopes to inspire a greater awareness of the real nature outside.
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With the talk about global warming and climate change, this seems to send a message on conservation if you ask me.
This theme runs in another artwork A Day Without A Tree.
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